
The great thing about this episode is the way that the present day scenes take place before the present day scenes in “The Life and Times of Jeremy Bentham”. So that means I spent the whole episode just waiting for Benry to get beaten up so he could end up among the wounded. It’s like Chekhov’s Pistol, only with an oar!
We open on Flight 316, with Frank’s co-pilot pointing out the celebrity on the plane.